Marc Brew: Finding Power In Disability And Queerness

Marc Brew: Finding Power In Disability And Queerness
Image: Source: Supplied

Marc Brew was only 20 years old when he was in a horrific car crash, killing the other three people in the car and leaving the young ballet dancer unable to walk again. This year, he鈥檚 been touring An Accident, A Life, a show created with Sidi Larbi Cherkaoui about the incident that fuses dance, theatre and multimedia across Europe.聽

鈥淚 never thought I鈥檇 make a work about the crash that changed my career and life in a matter of seconds,鈥 the queer Australian dancer tells the Star Observer. 鈥淚 was living and dancing in South Africa, working with a ballet company there and a drunk driver hit our car.鈥

鈥淭o come back after 25 years of dancing in different parts of the world to make an important piece about the determination and power of the human spirit, but also the humour and joy one needs to have to be able to move through challenges, has been quite remarkable to share with an audience.鈥

Marc Brew
Production shot from ‘An Accident, A Life’. Photo credit: Filip Van Roe

An Accident, A Life, starring Marc and directed by collaborator Sidi Larbi Cherkaoui, has received a number of 5-star reviews on its tour throughout Europe, with The Guardian praising it as in a glowing review.聽聽

The show is deeply personal for Marc, and he appreciates that it鈥檚 allowed him to fully explore himself. 鈥淲hat鈥檚 really wonderful about this piece is that it鈥檚 been able to capture all of my identities,鈥 he says. 鈥淚t has changed in my lifetime, from coming out to exploring my queerness and the way I make art, to having power and ownership over my disability.鈥澛

鈥淚n the beginning I used to be quite shy about owning those identities, but now I鈥檓 proud of them. And I guess I鈥檓 at the age now where I want to be a positive role model for other people, the next generation of disabled, queer audiences and dancemakers.鈥

Marc continues: 鈥淚 mean, I was told no, that I couldn鈥檛 do dance and that I needed to retrain and do something else. Thankfully I was quite stubborn! But if I had listened to them, I wouldn鈥檛 be where I am today. I want people to see that this is possible.鈥

鈥淲hat鈥檚 really important about An Accident, A Life is that it has to challenge and break down those perceptions of what a dancer and performing artist is, or what someone can do with disability. So hopefully, through my and other disabled artists鈥 work, it鈥檚 really showing the next generation and general audiences what鈥檚 possible.鈥

Marc Brew
Production shot from ‘An Accident, A Life’. Photo credit: Filip Van Roe

The next generation

Having recently returned to Australia from Scotland as part of the IDEA Dance festival, Marc ran the Our Bodies / Our Stories workshop in Sydney Opera House鈥檚 Centre for Creativity across 8 days with a number of performers, including other disabled dancers, to start showing people what鈥檚 possible. 鈥淚t was a wonderful space and experience working with a fantastic group of diverse artists who brought their whole selves to the experience,鈥 says Marc.聽

鈥淚 feel excited by the openness and the curiosity of the artists I got to work with and how supportive each one was with each other to really explore and share their experiences and try new things,鈥 adds Marc. 鈥淟ots of disabled people don鈥檛 get this opportunity at all, and it鈥檚 hard for us to get into dance courses and tertiary training because the invitation isn鈥檛 there.

鈥淚t was a really monumental moment to be in this iconic space with these artists and form a community together,鈥 he concludes. 鈥淚t was an honour to be a part of the festival and to ensure disabled artists of diverse backgrounds are represented and have a place in the dance ecology of Australia.鈥澛

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